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Blow Up [1967] [VHS]
 
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Blow Up [1967] [VHS]

VHS ~ David Hemmings
4.3 out of 5 stars  See all reviews (7 customer reviews)

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Product details

  • Actors: David Hemmings, Vanessa Redgrave, Sarah Miles, John Castle, Jane Birkin
  • Directors: Michelangelo Antonioni
  • Writers: Michelangelo Antonioni, Edward Bond, Julio Cortázar, Tonino Guerra
  • Producers: Carlo Ponti, Pierre Rouve
  • Format: PAL
  • Language English
  • Classification: 15
  • Studio: Warner Home Video
  • VHS Release Date: 10 Jul 2000
  • Run Time: 106 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • ASIN: B00004CIBW
  • Amazon.co.uk Sales Rank: 5,283 in Video (See Bestsellers in Video)

Product Description

Amazon.co.uk Review

It may not stand up as an art-house film (the opening and closing shots of a mime playing tennis belong in the Pretentious Metaphor Hall of Fame), but this head scratcher is an absorbing travelogue of swinging London circa 1967, courtesy of auteur tourist Michelangelo Antonioni. Blow Up is also a meticulous, paranoid murder mystery that has left its fingerprints on dozens of later films, from Coppola's The Conversation to the recent cult item The Usual Suspects. The efforts of a fashion photographer (David Hemmings) to analyse a photo snapped off-the-cuff in a public park, which may have recorded a crime in progress, resonated at the time with conspiracy theories surrounding the Kennedy assassination. From here it looks like an anticipation of up-to-the-minute anxieties about the filtering of perception through metastasising media. The movie marked the film debut of Vanessa Redgrave, and in the justly celebrated purple-paper scene, expat chanteuse-to-be Jane Birkin. --David Chute


Synopsis

Take a peek into the steamy world of London's fashion industry and its sexiest models... A strange illusive mystery which centres around a series of photographs that once developed feature a murder. Then the film and the body disappear... What next? Featuring a brief appearance by The Yardbirds.

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Customer Reviews

7 Reviews
5 star:
 (5)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
7 of 7 people found the following review helpful:
5.0 out of 5 stars Style meets substance in Swinging Sixties, 15 Sep 2000
By A Customer
A meditation on voyeurism and the powerlessness of objectivity, Blow Up is undoubtedly one of the most intelligently crafted films of the Sixties. David Hemmings plays the photographer unwittingly caught within an (admittedly slim) murder story. His accidental photography of an assassination makes it impossible for him to remain the passive outsider. Should he discard his objectivity and take action or should he try to walk away?

When is a propellor a work of art? How can a broken guitar cause riots? Seemingly irrelevant scenes litter this film until the beautiful final mime sequence .... A message could be that one's actions give an object/situation an importance, but Antonioni is never quite as simpistic as that.

One of the coolest soundtracks of the Sixties, Antonioni's meticulous visual style and a cast to die for bring you have the ultimate outsider's vision of sixties Brit-cool

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21 of 24 people found the following review helpful:
5.0 out of 5 stars Blow Up is Antonioni's most accesibe psychological drama, 17 Feb 2001
Blow Up was one of a three film contractual obligation Italian director Antonioni had with MGM in the sixties. His friend Tonino Guerra came up with the story of a photographer accidentally capturing a murder on film, only visible when the print is blown up at his trendy mews pad. The film works on several levels; a cleverly worked out murder mystery, an exploration of sixties pop-culture but most importantly a working out of many of the philosophical and political preoccupations of the director himself. From his film debut in 1944 to Blow Up in 1966 Antonioni evolved a technique of expressing his existential/left wing views through strange stories and naturalistic scenery. This film, I think, is the most effective philosophical rationale for left wing political thought it is possible to see. It is a film about exploitation, where the photographer, Thomas, a spoilt, middle class playboy is jolted to his senses by observing death at first hand. Much of the mysteriousness of the film is an attempt by Antonioni to illustrate class divide and other issues using non-verbal imagery. For instance, Thomas is rich and free enough to skip up some steps in the park, yet struggling Vanessa Redgrave and her lover must climb over the grass to reach the top. Although a commercial success I consider Blow Up to be a masterpiece of world cinema. The murder is only a distraction, the central theme is the product of Michelangelo Antonioni's brilliant mind. Blow Up is his dissection of society...... Blonde, beautiful David Hemmings is an anti-hero who faces his own selfishness, others are simply victims of inequality. The film is a cleverly disguised attack on power. It is those with a lower caste in society who are the heroes of the piece, the blame for society's ills is laid squarely at the feet of the rich. For me this is the perfect film...... As fresh as any pop video, every scene meticulously designed and executed, there is something here for the senses and the intellect. Revel in the renaisence master at his least oblique and take a thousand viewings to work out just what Antonioni is getting at...... you won't be disapointed.
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10 of 12 people found the following review helpful:
4.0 out of 5 stars The best film for the children of the sixties, 8 Dec 2003
By James Peter Walsh (roseburg, oregon United States) - See all my reviews
(REAL NAME)   
This film made a very big impact on me in the sixties. I was living in London at the time and it captured a feeling that was in the air in the city at that time . It summed up the atmosphere in London for those of us who could not pinpoint or articulate what was going on behind all the "parties"that lasted through the night and the music and fashions. Everyone of a particular age wanted to be like David Hemnings or thought they were like David Hemmings. The feeling the film gave was that you could be like David Hemmings at your own level. You didn't need the Rolls Royce. All you really needed was an slr camera and some clothes.
I think that the true art of this picture is that it made you feel something. It made you really appreciate the time and the era that was then. I never get tired of watching it and even now after 35 years I still see now what I saw then.
I was very saddened by the death of David Hemmings and the realisation that time passes so quickly.
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Most Recent Customer Reviews

5.0 out of 5 stars A fascinating enigma...
Read "film-buff" reviews of "Blow Up" and you'll find a huge diversity of opinion. It's a masterpiece... it's rubbish... it's tantalisingly complex... Read more
Published on 1 May 2006 by nicjaytee

5.0 out of 5 stars the start of an extraordinary actress ...
Vanessa Redgrave (* 1937) made her world-wide film-debut in "Blow Up" (1966) with her very slowly and erotically stripped back (as mysterious, murder-hushing Jane) - and she... Read more
Published on 2 Aug 2005 by FrizzText

1.0 out of 5 stars Pretentious art-house nonsense
No doubt an artistic masterpiece in its moody composition and as a historical record of 60s pop-culture, the film has nothing to offer anyone but the most abstract and pretentious... Read more
Published on 10 Nov 2003 by Rich

5.0 out of 5 stars The Eyes of David Hemmings.
From the moment the cooled-out jazz from Herbie Hancock sets in,'Blow-Up' takes you on an intriguing journey back into the 'Swingin' Sixties'.Was life really like that? Read more
Published on 5 Oct 2003 by 'jellyhair'

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